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Cardinal Pietro Ottoboni at the Cancelleria
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Edward J. Olszewski Dynamics of Architecture in Late Baroque Rome. Cardinal Pietro Ottoboni at the Cancelleria Edward J. Olszewski Dynamics of Architecture in Late Baroque Rome. Cardinal Pietro Ottoboni at the Cancelleria Managing Editor: Monika Michałowicz Published by De Gruyter Open Ltd, Warsaw/Berlin Part of Walter de Gruyter GmbH, Berlin/Munich/Boston This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivs 3.0 license, which means that the text may be used for non-commercial purposes, provided credit is given to the

. Translated by dom Ernest Graf. Vol. 34. London: Kegan Paul, Trench, Trubner & Co., 1941. Pericolo, Lorenzo. Philippe de Champaigne. Tournai: La Renaissance du Livre, 2002. Pestilli, Livio. “On Bernini’s Reputed Unpopularity in Late Baroque Rome.” Artibus et Historiae 63, no. 32 (2011): 119–42. Pino, P. Dialogo di Pittura. In P. Barocchi, Trattati d’Arte del Cinquecento, vol. 1. Bari: Laterza, 1960. Poirer, M.G. “Studies on the Concepts of ‘disegno,’ ‘Invenzione,’ and ‘Colore’ in Sixteenth- and Seventeenth-Century Italian Art Theory.” diss., new york University, 1976

Thinking?, intro. J. Glenn Gray (new york: Harper & Row, 1968), 19. 10 Erwin Panofsky, Tomb Sculpture: Four Lectures on Its Changing Aspects from Ancient Egypt to Bernini (new york: Harry n. Abrams, 1964), 96. 11 Émile Mâle, Religious Art (new york: noonday Press, 1970), 174. 6 Eighteenth-Century Baroque 1 See Bal, Quoting Caravaggio. And of course there was an ancient baroque – Hellenistic sculpture. 2 Livio Pestilli, “On Bernini’s Reputed Unpopularity in Late Baroque Rome,” Artibus et Historiae 63, no. 32 (2011): 119–42. 3 Ibid., 119. 4 Bruce Boucher

Methodology of Science. New York: Methuen, 1986. Olszewski, Edward J. Cardinal Pietro Ottoboni (1667–1740) and the Vatican Tomb of Pope Alexander VIII. Memoirs of the American Philosophical Society 252. Philadelphia: American Philosophical Society, 2004. . Dynamics of Architecture in Late Baroque Rome: Cardinal Pietro Ottoboni at the Cancelleria. Berlin: De Gruyter, 2015. . “The Enlightened Patronage of Cardinal Pietro Ottoboni (1667–1740).” Artibus et historiae 23, no. 45 (2002): 139–65. . The Inventory of Paintings of Cardinal Pietro Ottoboni (1667–1740). American Uni

physical and symbolic elements of the Arcadian’s final Parrhasian Grove. 20. These patrons cultivated opera, oratorio, cantata, and instrumental music in their pri- vate theaters, and revitalized a strong tradition of public opera in the Teatro Tordinona and Teatro Capranica. Major studies include: Edward J. Olszewski, Dynamics of Architecture in Late Baroque Rome: Cardinal Pietro Ottoboni at the Cancelleria (Berlin: De Gruyter, 2015); Stephanie C. Leone, ed., The Pamphilj and the Arts: Patronage and Consumption in Baroque Rome, conference at Boston College, October