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Die kulturwissenschaftliche Öffnung der Literaturwissenschaft ging einher mit einer weiträumigen Erschließung neuer Forschungsfelder, die über die disziplinären Grenzen der Einzelphilologien hinauswiesen. Das hat den Blick auf den Gegenstand ‚Literatur‘ nachhaltig verändert.
Die Handbücher zur kulturwissenschaftlichen Philologie dokumentieren die einschlägigen interdisziplinären Arbeitsfelder der Literaturwissenschaft umfassend und bilden den aktuellen Forschungsstand auf hohem Niveau für Studierende, Forschende und Lehrende ab. Alle Bände enthalten eine programmatische Einleitung, ein Glossar zentraler Begriffe, Beiträge zu Theorien, Methoden und Modellen sowie Problematisierungen und Forschungsfragen, exemplarische Analysen, Bibliographie und Register.
Mit der Reihe wird ein innovatives Handbuch-Konzept vorgelegt, das nicht nur eine verlässliche Synthese des notwendigen Sachwissens anstrebt, sondern den Blick auch auf offene Forschungsfragen und fächerspezifische Denkstile richtet.
This volume provides a systematic overview of the relationship between literature and film. Literary and film studies approaches have an equal say. It opens up theoretical perspectives on the configuration of these two narrative media, presents individual discursive and practical fields, such as debates about cinema and literary adaptations, and provides an overview of the history of literature-film relations from pre- to post-cinema.
From ancient treatises on housekeeping to recent stories on the excesses of the financial sector, the conjunction of literature and economics has taken many forms. This handbook illuminates these forms through literary theory, discussions of key terms, and a historical look at previous encounters between literature and economics.
This volume provides a systematic overview of the relationship between literature and philosophy. Philosophical, literary, and literary studies approaches each have an equal say, the handbook’s entries sounding out the significance of literature and presenting genre-theoretical reflections on literary forms of philosophy. The volume closes with a number of studies on philosophizing literature and philosophical reflections on literature.
This book offers an overview of the multifaceted field of material culture as it relates to literature. Beyond introducing basic theories and models for researching objects in the literary and cultural sciences, it undertakes analyses that demonstrate the manifestations and functions of material culture in literary texts from the Middle Ages to the present day.
Literature and pop culture have been inextricably connected since the mid-1960s. The handbook provides a comprehensive overview of the often-controversial styles of writing, textual methods, and aesthetics that have emerged from this connection. It systematically discusses theories and current research issues on the relationship between literature and pop culture. Historical reflection is backed up with exemplary case studies.
This handbook explores the variety of interdependencies between literature and acoustics from the perspective of literary studies. The articles focus on aspects of literary orality and sound. The authors analyze forms of hearing culture in written texts, audio texts, readings, interviews, poetry slams, media formats, radio plays, and audio books.
The handbook compiles essays on history and theory as well as the forms and procedures of transnational literatures. Starting from the observation that in the face of globalization and migration, literature is progressively less describable by the traditional categories of national literatures and languages, it examines the historical dimensions of this phenomenon and finds connections to theories of transnationality from related disciplines.
This handbook offers a comprehensive overview of the intimate relationship between literature and psychoanalysis. It looks at literature as a subject of psychoanalysis as well as the psychoanalytic understanding of literature. The authors systematically investigate the literary dimensions of psychoanalysis and the relationship between psychoanalysis, cultural and literary studies. Two indexes and a glossary conclude the volume.
There is no way to write or read literature without emotions. Unlike what is implied by today’s notion of a contemporary “emotional turn,” reflections about poetry have been marked since antiquity by considerations about pathos, feeling, and emotion. This handbook offers a comprehensive presentation of this long reflective tradition and puts it the context of 20th and 21st century theoretical approaches, as illustrated by specific case studies.
This handbook examines the relationship between literature and space, taking into account particularly literary presentations of spatiality. It systematically applies theoretical models for analyzing and questioning paradigmatic texts. In this way, the handbook offers the first comprehensive presentation of this field of study.
This handbook deals with basic questions about the relationship between literature and music, discusses theoretical models and current research topics, and provides a comprehensive historical overview of the many interfaces between these two art forms and their media.
This handbook illuminates contemporary discourse on the relationship between text and image, intermediality, and “literature and the arts.” Using exemplary case studies, it offers the first systematic presentation of theoretical and methodological approaches for understanding the relationship between literature and visual culture.