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Abstract

Music and sound shape the emotional content of audio-visual media and carry different meanings. This volume considers audio-visual material as a primary source for historiography. By analyzing how the same sounds are used in different media contexts at different times, the contributors intend to challenge the linear perspective of (music) history based on canonic authority. The book discusses AV-Documents (analysis in context), methodological questions (implications for research, education, and popularization of knowledge), archives of cultural memory (from the perspective of Cultural Studies) as well as digitalization and its consequences (organization of knowledge).

Abstract

Music and sound shape the emotional content of audio-visual media and carry different meanings. This volume considers audio-visual material as a primary source for historiography. By analyzing how the same sounds are used in different media contexts at different times, the contributors intend to challenge the linear perspective of (music) history based on canonic authority. The book discusses AV-Documents (analysis in context), methodological questions (implications for research, education, and popularization of knowledge), archives of cultural memory (from the perspective of Cultural Studies) as well as digitalization and its consequences (organization of knowledge).

Beiträge aus Musikwissenschaft, Musikphilosophie und kompositorischer Praxis
Forschungsperspektiven, Praxisreflexionen und Verortungen im Spannungsfeld einer sich verändernden Gesellschaft
New Perspectives on Music History in the 20th and 21st Century
Der Einfluss werbetreibender Marken auf die populäre Musikkultur im frühen 21. Jahrhundert
Noise und die Akustik des Politischen
Lokale Aspekte einer globalen Kultur
Von den 1950er Jahren bis in die Gegenwart
Re-Thinking Musicology in an Age of Digital Media