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An Exploration of the Closet Through Queer Slangs and Postcolonial Theory

Anna T. Opacity – Minority – Improvisation Queer Studies | Volume 27 Anna T. (PhD), born in 1984, has worked as an artist, theorist, and educator in Greece, England, Germany, and Austria. Since 2003 she has exhibited and partici- pated in numerous group and solo exhibitions and new media festivals in Europe, the Americas, and Australia. Between 2014 and 2017 she was a board member and curator at Mz* Baltazarʼs Lab, a feminist hackerspace for creatives in Vienna, and since 2017 she has taught at the Academy of Fine Arts and the University of Art and Design

: Kinowelt 2005. Abb. 97-113: Screenshots aus EIN MANN GEHT DURCH DIE WAND (BRD 1959, R: Ladislao Vajda), DVD: Filmverlag Fernsehjuwelen 2013. Abb. 114-132: Screenshots aus LIANE – DAS MÄDCHEN AUS DEM URWALD (BRD 1956, R: Eduard von Borsody), DVD: e-m-s New Media Group 2002. Abb. 133-141: Screenshots aus LIANE – DIE WEISSE SKLAVIN (BRD/I 1957, R: Hermann Leitner), DVD: e-m-s New Media Group 2002. Abb. 142-156: Screenshots aus MONPTI (BRD 1957, R: Helmut Käutner), DVD (Romy Schneider Edition): Kinowelt 2003. Abb. 157-159: Screenshots aus DIE HALBSTARKEN (BRD 1956

: University of Minnesota Press 2008; ebd.: „Cybertyping and the Work of Race in the Age of Digital Reproduction“, in: Pramod K. Nayar (ed.), The New Media and Cyberculture Anthology, Malden: Wiley-Blackwell 2010a, p. 132- 150; Nakamura, Lisa/Hamilton, Kevin: „The Return of the Digital Native. Interfaces, Access, and Racial Difference in District 9“, in: Flow TV 11 (2010), p. 18-22. In Be- zug auf fortbestehende transnationale und strukturell koloniale Konstruktionen von ‚Race‘ siehe Wade, Peter: Race and Sex in Latin America, New York: Pluto Press 2009 sowie Shohat

en, um der Dis- kriminierung und Tabuisierung von Homosexualität und HIV/AIDS in Simbabwe entgegenzutreten. Die digitalen Geschichten, die durch nicht-professionelle MedienproduzentInnen hergestellt werden, bil- den ein Medienformat, durch das Menschen nicht nur die Möglichkeit erhalten, sich selbst zu repräsentieren, sondern auch die Möglichkeit 128 | Sigrid Kannengießer bekommen, Gesellschaft zu verändern – so zumindest ho en es die AktivistInnen. Literatur Alexander, Bryan (2011): The new digital storytelling. Creating narra- tives with new media. Santa

interaction with fans, and a much smaller but ever more dedi- cated audience2.   Censorship in terms of erasure, as mentioned above, not only affects print me- dia or the film and television industry but also plays a role in the new media econ- omy. Regarding certain areas of research, even in academia we are far from having an all-access pass to information. Information is power. Exchange of information therefore is the gateway to creating powerful new ideas and building new commu- nities. Since in Austria we do not have access to a great a variety of internationally

Design, Genève and co-founder of The Otolith Group. He is author of More Brilliant than the Sun: Adventures in Sonic Fiction (Quartet, 1998) and Dan Graham: Rock My Religion (Afterall, 2012) and co-editor of Post Punk Then and Now (Repeater, 2016), The Militant Image: A Cine-Geography: Third Text Vol 25 Issue1 (2011), Harun Farocki Against What? Against Whom (Walther König, 2010) and The Ghosts of Songs: The Film Art of the Black Audio Film Collective 1982-1998 (Liverpool University Press, 2007). Everett, Anna, is Professor of Film, Television, and New Media

Boillat, Alain: Mettre un film en cases, figer le mouvement: les enjeux de la citation filmique dans la bande dessinée. In: Cinema and Comics. Affinities, Differences and New Forms of Influence. Hg. v. Laura Sangilli und Federico Zecca. Udine: Forum edizioni 2009, S. 57-75. Bolter, David/Grusin, Richard: Remediation. Understanding New Media. Lon- don: MIT Press 1999. Bongco, Mila: Reading Comics. Language, Culture, and the Concept of the Super- hero in Comic Books. New York: Garland 2000. — On the Language of Comics and the Reading Process. In: Medien & Zeit, 3

: Sage. Franklin, Sarah/McKinnon, Susan (Hg.) (2001): Relative Values: Reconfiguring Kinship Studies, Durham: Duke University Press. Gledhill, Christine (1991): Stardom: Industry of Desire, Oxon: Rout- ledge. Grusin, Richard A./Bolter, Jay David (1999): Remediation: Understan- ding New Media, Cambridge: MIT Press. Haraway, Donna (1995): Die Neuerfindung der Natur: Primaten, Cy- borgs und Frauen, Frankfurt a. M./New York: Campus Verlag. Haraway, Donna (2002): »Anspruchsloser Zeuge@Zweites Jahrtausend. FrauMann© trifft OncoMouse™«. In: Elvira Scheich (Hg.), Vermittelte

): »Cybertyping and the Work of Race in the Age of Digital Reproduction«, in: Wendy Hui Kyong Chun/Thomas Keenan (Hg.), New Media, Old media: A History and Theory Reader, New York/Milton Park: Routledge, S. 317-333. Reiche, Claudia/Kuni, Verena (Hg.) (2004): Cyberfeminism. Next Protocols, New York: Autonomedia. Rodríguez, Encarnación Gutiérrez (1999a): Intellektuelle Migrantinnen. Sub- jektivitäten im Zeitalter von Globalisierung. Eine postkoloniale dekonst- ruktive Analyse von Biographien im Spannungsverhältnis von Ethnisie- rung und Vergeschlechtlichung, Opladen: Leske