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research, highlighting both its former shortcomings and its future promises. Part III focuses on the material aspects of narrating and comparing with a special emphasis on the reception and historiography of art. The thought that epistemic practice is constituted not only by interconnected human ac- tivities, but also by instruments and objects that themselves develop a certain kind of material agency has been well developed in the course of the sociol- ogy of experimentation and laboratory practice.23 For the recent history and sociology of culture techniques in the

and Alois Riegl: From Art History to the Sociology of Culture, in: Art History 32, 4(2009), S. 755–784. The Gombrich Archive – www.gombrich.co.uk [Zugriff: 01.03.2010] Thiel, Josef F., Der Urmonotheismus des P. Wilhelm Schmidt und seine Geschichte, in: Britta Rupp-Eisenreich, Justin Stagl (Hg.), Kulturwissenschaft im Vielvölker- staat. Zur Geschichte der Ethnologie und verwandter Gebiete in Österreich, ca. 1780 bis 1918, Wien–Köln–Weimar 1995 (Ethnologica Austriaca 1), S. 256– 267. Thiel, Josef F., P. Wilhelm Schmidt S.V.D., in: Christian F. Feest, Karl H