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. Untersuchungen eines intermedialen Phänomens. Hg. v. Fernand Hörner und Oliver Kautny. Bielefeld: Transcript, 51–72. Bigsby, Christopher (2006). »Introduction. What, Then, Is The American?«. In: The Cambridge Companion to Modern American Culture. Hg. v. Christopher Bigsby. Cambridge: UP, 1–32. Black, Daniel P. (1997). Dismantling Black Manhood. An Historical and Literary Analysis of the Legacy of Slavery, New York: Garland. Blanchard, Margaret A. (Hg.) (1998). History of the Mass Media in the United States. An Encyclopedia. Chicago: Fitzroy Dearborn. Bibliografie 473

for literary analysis” (Knight Real Places 21). Additionally,many findings of his thesis can also be found in his later essay “Placeless Places: Resolving the Paradox of Foucault’s Heterotopia” (2017).Dis- regarding Foucault’s later definition of heterotopia in favour of the earlier French original transcript of Foucault’s radio talk on the concept, Knight argues that het- erotopia was never meant to be applied to real, tangible spaces (Real Places 21). In- stead, he proposes to conceive of heterotopias exclusively as “literary motifs” (ibid. 21) and “fictional

Ansätze in der Antike sowie in Italien, England und Frankreich. Phil. Diss. Bonn 1969 Richards, I.A.: Poetic Process and Literary Analysis. In: Style in Lan- guage. Edited by Thomas A. Seboek, Cambridge, Massachusetts 1964, 9-23 Riha, Karl: Das Buch der Hände. Eine Bild- und Text-Anthologie. Mithg. v. Gertrud Stinner u. Waltraud Wende-Hohenberger, Nördlingen 1986 Ritter, Joachim: Das bürgerliche Leben. Zur aristotelischen Theorie des Glücks. In: Joachim Ritter, Metaphysik und Politik. Studien zu Ari- stoteles und Hegel, Frankfurt a.M. 1969, 57-105 Ritter

, spectacle and psychasthenia concurred in drawing up a synthetic concept of urban mentality. This model allows to both scrutinise the idiosyncrasy of the city in general and transfer the analysis of mentality to other metropolises worldwide. While urban-generic structures of thinking, imagining, feeling and acting are shown to be based on a configuration of eight predominant ambivalences, the urban-specific factors of influence are drawn from theories of urban semantics. The categories developed here served as a major focus for the literary analysis. Methodologically, this

analysis to select texts in which narrators are able to break the horizon of expectations. That concerns fiction constructed for establishing a fer- tile and valuable dialogue with the reader, implying, if possible, interesting phil- osophical, cultural, and ethical reflections. The literary analysis of the ideologi- cal component depends on its visibility in the text. In order to disambiguate each relevant term in the interpretation, we should take a logical and reasonable path: the principle of following an isotopic interpretation making sense built on the main

conspiracy theories and intensifies the literary analysis of their devastating results, but at the same time asks if there is something positive we can gain from their impact. In short: Is there a benign conspiracy, a conspiracy that could lead to something that is ultimately good? Examples from these two texts will help me to show how conspiracy theories played a role in the process of Yugoslavia’s destruction and became extremely powerful as well how they managed to substitute the foundation of society, grounded on the socialist belief in the strength of science

urbanization of the capital become possible. Mixing historical fact and fiction, Pekić elects the property of discourse of diverse sorts, whose literariness – its narrative, rhetorical, performative qualities – can be studied by what were hitherto methods of literary analysis. And the values that are often taken for granted in literary reading of non-literary materials are frequently li- terary values: concreteness, vividness, immediacy, paradoxical complexities” (Culler 2007: 18). 11 In an extremely important study Kaldrma i asfalt (Cobblestone and Asphalt), Dubravka

literature that connects the latter to sociological subjects and approaches. For a literary analysis that wants to concern itself with the relationship between a text’s modes of aesthetic representation and what it actually represents (actual 52 Brit ish White Trash social matters, groups of people, politics, etc.), such an approach offers the necessary tool to adequately describe a text’s situatedness within the cultural and social conditions from which it emerges. It avoids the risk of reducing not only the text to a mere illustration of sociological findings and

linguistic texts to an increased attention to mul- timodal ones. This includes an attention to auditory, visual, and spatial prop- erties and modes of perception and transmission as well as to physical texts. Increasingly, aesthetic and cultural interrogations of the law proceed via an emphasis on figuration and visualization and medium specificity rather than through the exclusive analysis of verbal discourse, including the comparison of interpretive strategies in legal and literary analysis. As Lief Dahlberg writes: “in order to properly understand law […] one has

Mansilla their presence destabilizes the picaresque composition; most scholars would deduce that it should be seen as representative of the genre’s decline in Spain’s literary history, an assumption, however, that has yet to be verified. La Garduña de Sevilla’s formal and thematic characteristics do not suit the normative core in contemporary designs of gender and the picaresque. As a mat- ter of course, this is the reason why we should be interested in it. From La Gar- duña de Sevilla emerges a (meta) literary analysis a lot of modern scholars have refused to