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choreography of a dance formation (cf. Kern 1999: 49). 2 | I rely here on Lacan’s interpretation (cf. Lacan 1998: 62). 3 | The Parisian surrealists attributed to this figure a privileged position, when they named their journal Le Minotaure. Lacan published some of his early texts there. Mai Wegener34 In his early works, Freud did not refer to the labyrinth and the Minotaur myth. Yet, if the myth can still be emblematic for Freudian topology, it is because the labyrinth is an image supporting a topological reading, while still evoking the myth, from which it was adopted