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the connection between New Mexican Cinema and rock mu­ sic that was prevailing during its inception (ELENA 2009). The other production line of Fábula, as stated earlier, is designed around Pablo Larraín’s filmography and specifically around his ‘Pi­ nochet/Dictatorship Trilogy’ which includes the films Tony Manero (2008), Post Mortem (2010) and No (2012). Other films that could be added to a more inclusive production line related to historical facts are: El año del tigre, about the earthquake that devastated a large part of the country in 2010; and Las niñas

between culture and education. We have opt­ ed for a time period that should be long enough for the unfavourable conditions at the end of the Franco dictatorship and the period of demo­ cratic transition to be overcome. It includes a series of eight democratic legislatures during which time, in theory, it is feasible that the Catalan Governments of Catalonia, of various ideological tendencies, will have been able to consolidate cultural politics in this regard. For a second analysis, we carried out 20 in­depth qualitative inter­ views (Barbosa A.M), (Celso S