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. Boal, A. 2002: Vortrag auf der Fachtagung »Forumtheater« in Halle, 18.10.2002, organisiert von Domino, TheaterDialog, Halle. Bobbio, N. 1989: Democracy and Dictatorship: The Nature and Limits of State Power. Übers. Kennealy, P. Minneapolis: University of Minnesota Press. Bondi, L., Davidson, J. 2003: »Troubling the Place of Gender«, in: Anderson et al. (Hg.), 325-343. Borda, O.F. 2006: »Participatory (Action) Research in Social Theory: Origins and Challenges«, in: Reason/Bradbury (Hg.), 27-81. Bourdieu, P. 1982: Die feinen Unterschiede. Kritik der

, photographers and designers. They work closely with social movements like H.I.J.O.S (an organization created by the children of the victims of the military dictatorship). With their series of maps Aqui Viven Genocidas (2001-2006) the Grupo de Arte Callejero actively participated in the escraches, which translates into acts of public shaming to condemn the injustice, violence and genocides committed during the military dictator- ship (see 7. Some examples for relevant indigenous mapping projects and groups from different regions are

) exposes the nationalist uses of cultural heritage in the New State’s years. LAW INTO THE FAR WEST | 45 sense. Centrality was nothing to be feared; far from a dictatorship, it was only the specular version of a tribal authority. As Cassiano Ricardo assumed: »In times of crisis new sorts of leaders appear who call the totality of power that once the primitive chief held.« (Ricardo 1942: 275) Thereby he defended the Brazilian Caesar against accusations of fascism, because »already the bandeirante embodied our ›mestizo’ fascism‹« (ibid.: 276). Apparently