about their expectations and their expectations of (others’) expectations, the social
sciences need to focus on the underlying affective constellations. Instead, these
matters have been left almost entirely to scholars from other disciplines, such as
Johan Huizinga, a scholar of cultural history.
Even when emotional elements come into view, these are stripped off of all
affective elements. This is precisely what happens in Erving Goffman’s famous the-
ory of play. At first sight, Goffman’s dramaturgicalanalysis seems to account for
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