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Production, Reception and Confessionalism
Series: Theater
Artistic Articulations of Borders and Collectivity from Lebanon and Palestine
Series: TanzScripte, 52

Lebanon and the Arab world through fake archives and documents that he has pretended to be authentic.7 In his project Scratching on Things I Could Disavow, which he started in 2007, and which was shown in London, Par- is, Munich and Sharjah and elsewhere in different for- mats, Raad focused on what many see as a “miraculous be- ginning” of an art and muse- um scene in the Arab world in the last fifteen years.8 On his no longer existing website, the artist pretended under the heading Index XXVI: Blue and Green and Yellow and Red and Orange, that this work

. Die Bildwissenschaft im Aufbruch, Munich, Wilhelm Fink Verlag, 2007. 72 Adobe Photoshop’s stamp tool is a function of the image editing software that allows users to clone entire parts or patterns of a digital image. A now-famous example of the use of this feature in mainstream media took place during the Israeli-Lebanese war in 2006. A photographer working for Reuters retouched an image, which was published on the news agency’s website. He added smoke above the bombed city of Beirut by cloning existing smoke clouds and darkening them to artificially increase

wurde von der Victorian Lebanese Artists Group prä- sentiert. Am 14. November 1998 wird die Ausstellung »Autistic Eye« er- öffnet, die dem Autismus gewidmet ist. Verantwortlich für die Aus- stellung sind zwei Organisationen, die sich für mehr Verständnis und Akzeptanz des Autismus einsetzen. Auf die Ausstellung über Autismus folgt die Ausstellung »Ukrainian Echoes – 1948 to 1998«. In den vergangenen 50 Jahren sind 30.000 Menschen urkrainischer Herkunft nach Australien ausgewandert. Die Ausstellung präsen- tiert die Arbeit zeitgenössischer ukrainischer Künstler

contribution’ (Achimota Review 1927-1937 1937, 93). One problem at the time was the danger some traditional works were facing. Crinson (2001, 237) cites Huxley’s report, noting that – whilst Europeans were collecting works that represented the country – Asante gold weights were in danger because they were being melted down by Lebanese pawn brokers for their bullion value. Based on Braunholtz’s recommendation to establish a museum in the Gold Coast, the government allocated funds to the University College of the Gold Coast (now the University of Ghana) in 1951 to set

York the occasion to talk to people tripled compared to Massachusetts coming from nowhere. That I have never expected. I remember I was in New York and I ended up with some other artists in a studio with other video artists showing each other their works. I knew the woman named Shelly Silver from a long time ago and she invited me to take part of it. She has a connection to Berlin from a long time because she used to have a DAAD in 1993 and she was going out with Jace Salloum at that time, the guy I went to Lebanon and worked on the project with

. 151. Nothing to Declare.  Dictaphone Group. Fig. 8.—p. 165. Nothing to Declare, field research, Lebanon, 2013.  Dictaphone Group. Fig. 9.—p. 166. Nothing to Declare, field research, Lebanon, 2013.  Dictaphone Group.


Theater in Lebanon Tarek Salloukh studied drama and theater arts at the Leb an ese University in Beirut. As actor and director, he performed in the theaters of the Lebanese capital for many years. He concluded his studies with a Ph.D. at the University of Konstanz in South Germa- ny, where he now lives. TAREK SALLOUKH Theater in Lebanon. Production, Reception, and Confessionalism [transcript] Bibliographie information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche N ationalbibliografie; detailed