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Begriffsbestimmung eines neuen künstlerischen Formats
Series: Theater, 131
Zur Geschichte des Film- und Videoloops im Zusammenspiel von Technik, Kunst und Ausstellung
Series: Image, 81

. What is a document in dance? The practices of collection, preservation and documentation had to be rethought in order to create an archive of movement and dance. Museology and Josephine Baker: In the Beginning was the Dance The success of the AID lies in the fact that it was part of a contemporary current which called into question concepts of European culture and society that had prevailed for centuries. Like the oral traditions of non- European cultures, dance was considered to be the gateway to society’s unconscious, to ›origins‹ and hidden drives. It was

Weise wird, wie Hans Jörg Rheinberger schreibt, »Sinn in sie investiert, sie werden durch Umstellung zu epistemischen Objekten, zu Erkenntnisdingen«.18 Auch differierende muse- umstheoretische Ansätze – etwa die seit Peter Vergos programmatischer Schrift New Museology starke semiotische Perspektive19 – halten an den epistemischen Qualitäten der Objekte fest und pointieren diese, indem sie einseitig deren In- formationsgehalt stark machen20 oder Objekte gar als »spheres of static scientific knowledge«21 denken. Entsprechend statisch werden Objekt gewöhnlich ausge

presentation in accordance with the museum’s mandate to educate the public on traditional cultural production. 3 The results of my field research in 30 Balinese villages from 1985-1987 forms the ethnographic basis for this text. All of the cursive words in the text are terminology from ethnology or museology that are not explained further. The above film sequence was recorded by Reiner Zapf on October 19, 1985 in Subagan, an Eastern Balinese village. FLEE(T)ING DANCES! | 95 educational mandate if we wish them to fulfill the expectation of translating and