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New Media and Transformations in Knowledge (II) Kim H. Veltman New Media and Transformations in Knowledge (II) Meta-Data How is the enormity of this challenge to be dealt with in practice? It is generally assumed that meta-data offers a solution. The meta concept is not new. It played a central role in the meta-physics of Aristotle. In the past years with the rise of networked computing, meta has increasingly become a buzzword. There is much discus- sion of meta-data, meta-databases, and meta-data-dictionaries. 1 2There is a Metadata Coalition, Meta Council

New Media and Transformations in Knowledge (I) Kim H. Veltman New Media and Transformations in Knowledge (I) Introduction As media change so also do our concepts of what constitutes knowl- edge. This, in a sentence, is a fundamental insight that has emer- 1ged from research over the past sixty years. In the field of clas- sics, Eric Havelock (Havelock 1963), showed that introducing a written alphabet, shifting from an oral towards a written tradition, was much more than bringing in a new medium for recording knowledge. When claims are oral they vary from

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Inhalt Claudia Gemmeke / Hartmut John / Harald Krämer Vorwort 9 Harald Krämer Einleitung 11 Information Martin Warnke Informationstechnologie – das digitale Monopol 21 Kim H. Veltman New Media and Transformations in Knowledge (I) 35 Michael Giesecke Herkunft und Zukunft der Museen als kulturelle Informationsspeicher 63 Bazon Brock Imaging 79 Von der In-Formation zur Kommunikation 5 Kommunikation Beatrice von Bismarck Demokratisierte Vermittlungen? 93 Neue Medien, Kunstinstitutionen und künstlerische Praxis Gudrun Gersmann Schöne Welt der bunten

Jay David Bolter und Richard Grusin im gleichnamigen Band »Remediation« als Charakteristikum primär von Neuen Medien beschreiben, die ältere analoge Medien adaptieren, um Unmittelbarkeit zu simulieren, wird hier zusätzlich auch umgekehrt das Zitieren digitaler Medien im Analogen zum Thema. Siehe Jay David Bolter/Richard Grusin, Remediation. Understanding New Media, Cambridge, Mass.: MIT 1999, S. 6. Mediating Dematerialization 255 Abbildung 1: dOCUMENTA (13). Das Logbuch/The Logbook, Einband Der erste Teil des Logbuchs zeigt eine Auswahl digitaler Schnappschüsse

online, Onlinedo- kument, http: / / artsandbusiness.org.uk / media%20library / Files / Research / Digital- Audiences / Digital-audiences-for-arts-and-culture-november2010.pdf [letzter Zu- griff 12.08.2011]. National Endowment for the Arts: Audience 2.0: How technology influences arts participation,Washington 2010, Onlinedokument, http: / / www.arts.gov / research / new-media-report / New-Media-Report.pdf [letzter Zugriff 12.08.2011]. Neuman, Linus: „Twitter-Revolution in Ägypten?“, in: Netzpolitik.org 2011, Onlinedo- kument, http: / / netzpolitik.org / 2011 / 20181

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, Nutzen. Konferenz im Heinz Nixdorf Museum, Paderborn 1998. Museum and the Web (=archive & museum informatics Pitts- burgh / PA) seit 1997. Museum, Movie, Multimedia. Artefakt und Öffentlichkeit, Bremen 1999. Museums and New Media, Brüssel 1999. Museology for Tomorrow’s World. Proceedings of the international Symposium held at Masaryk University, Brno, Oct. 9–11, 1996, hg. v. Zbynèk Z. Stránský, 1997. Vom Holzschnitt zum Internet. Die Kunst und die Geschichte der Bildmedien von 1450 bis heute, hg. v. René Hirmer, Ostfildern 1997. Zauberformel Interaktivität? Museen

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Leibniz University of Hannover and has been teaching Military History there as a Visiting Lecturer since his graduation in 2005. From 2005 to 2008 he worked at the University of Hannover. This included among other things the development of an e-learning internet portal for history students. The connection between history and new media is still one of his interests. Since 2008 he has been the Scientific Director of the German Tank Museum Munster. Per Björn Rekdal was born in Aalesund, Norway in 1945. He wrote his thesis in Social Anthropology, University of Oslo

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Language of New Media, Cambridge, MA: MIT Press. Manovich, Lev (2007): »Cultural Analytics. Analysis and Visualization of Large Cultural Data Sets«, http://www.manovich.net/cultural_analytics.pdf vom 18.06.2012. Maroevic, Ivo (1998): Introduction to Museology. The European Approach, Mün- chen: Verlag Dr. Christian Müller-Straten. Martin, Dieter (2011): »Mathematische Meditationen über das Unendliche. Kombi- natorische Verfahren in der Literatur des Barock – mit einem Ausblick in die Nachkriegsavantgarde«, in: Andrea Albrecht/Gesa von Essen/Werner Frick (Hg

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://www.sumscorp.com/articles/art2.htm]. Ders. Hypermedia: new Approaches to Cultural Heritage and Knowledge. In: The Village Conference. Vienna 13–16. Febr. 1997. Wien 1997, S. 1.13 [http://www.sumscorp.com/articles/art23.htm]. Ders. New Media and Transformations in Knowledge. Eröffnungsrede der Tagung: Euphorie Digital? Aspekte der Wissensvermittlung in Kunst, Kultur und Technologie, Heinz Nixdorf Museums Forum, Paderborn, September 1998 [http:// www.sumscorp.com/articles/art52.htm]. 6 Eine Metapherngeschichte und damit eine Art Mediengeschichte der Techniken des Gedächtnisses gibt: Douwe