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Zu einer neuen Widerstandsästhetik in Literatur und Theater der Gegenwart
Series: Lettre

others. POLITICAL ART: NO CONCLUSION This leads to the question of the political potential of art. To my mind, this is a key question in the intersections of the humanities and the social sciences: how do we situ- ate the political of art elsewhere than in the thematic domain, which is so dangerously close to propaganda? In more subtle and effective political art, a compelling narrative unfolds, but not as a series of events told ›in the third person‹. Rather, the narrative is performative, as the work stages an encounter between the work and the viewer. In our