: Dettagli e To-
talità nel Pensiero di George Simmel, Perugia: Morlacchi.
Debord, G. (1967): La Société du Spectacle, Paris: Buchet-Chastel.
Deuze, M. (2012): Media Life, Cambridge: Polity Press.
Di Giacomo, G. (2016): Arte e Modernità. Una Guida Filosofica, Roma:
Fry, P. (2009): “Introduction to TheoryofLiterature” September 1st,
Gemini, L. (2003): L’ Incertezza Creativa: i Percorsi Sociali e Comuni-
cativi delle Performance Artistiche, Milano: Franco Angeli.
Hartog, F. (2002): Regime d’Historicité. Présentisme
theory) ranging from Aristotle’s Poetics to
Wellek and Warren’s TheoryofLiterature from 1948. As regards literary history
and other handbooks, there are only minor changes from the previous program plan.
During the first three years, from 1959 to 1962, all teaching for the grunnfag
students was offered by staff from the departments of national language and litera-
ture studies. From the revision of the curriculum in 1962, attendance at lectures and
seminars was made compulsory, probably as part of the general effort to get rid of
the reputation as an “easy