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” (2011: 12). The idea was not to unify the theory on the con- cept but to provide a diverse framework for future research. Likewise, Isar and Anheier (2010) fosuced on policy and governance perspectives while van Damme, Munck, and Miles (2017) challenge the concept of creative city from a historical perspective. Even The SAGE Handbook of New Urban Studies (HANNIGAN/RICHARDS 2017) dedicates five chapters to creative city topics. All publications mentioned above offer many case studies of cities around the world, from different historical, geographical, and

Publikationsserien von Belang sind. Die folgende internationale Journal Review nimmt den Gedanken der Spezifik des Pop-Feldes auf und versucht, die betrachteten Schrift- reihen nach den Kategorien der organisatorischen Ebenen (Individuum, Institution, Struktur/Feld) sowie nach disziplinären Anknüpfungspunk- ten zwischen Ökonomie, Urban Studies und Musicology kurz vorzustel- len und zu diskutieren. Den Startpunkt der Betrachtung markiert das aus Kulturmanage- ment-Sicht augenscheinlich wichtige Journal of Arts Management, Law & Society (<www.tandfonline.com/toc/vjam20/current

acknowledge the institutional and financial support of the three empirical phases that are the basis of this article. In 1988 I received a Junior Fellowship in Urban Studies by the Johns Hopkins University Institute of Policy Studies; in 2004 I obtained an ART award by William Paterson University; in 2010 the empirical phase was enabled by a Thyssen Foundation grant in combination with a Visiting Scholarship at the New York University Department of Social and Cultural Analysis, and in 2014, for the final analysis of the three phases, I received a Visiting Scholarship