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175Wer gestaltet die Gestaltung ? 1 Koolhaas, Rem: The Generic City, in: Bruce Mau (Hg.), S, M, L, XL, Rotterdam: 010 Publishers1994, S.1238–1264. 2 BAVO (Boie, Guideon/ Pauwels, Matthias): Too active to act, Amsterdam: Valiz Publis- hers 2010, S. 34, 3 Pferdmenges, Petra: Bubble City, lecture given in the framework of the interna- tional Master at Sint-Lucas Architectuur Brussels 2011. 4 Rieniets, Tim/Sigler, Jennifer/Christiaanse, Kees: Open City – Designing Co-existence, Rotterdam: Sun-publishers 2009. 5 ZUS: The architecture office established

ecologies of existence. Resistance is only one of the things that sparks peo- ple’s creative action – think of fantasy, melancholy, desire, boredom etc. Moreover, acting sometimes produces a surplus which does not just respond to oppression but creates a new occasion, an excess that is not reducible to what has existed before. The relation between social movements and power that played out in the 20th century can be depicted as an aleatoric succession of encounters. In the case of the relation of capital and labor, for example, we can see that in every one of these

On the Specific (In)existence of the Partisan Film in Yugoslavia's People’s Liberation Struggle GAL KIRN To articulate what is past does not mean to recognize ‘how it really was’. It means to take control of a memory, as it flashes in a moment of danger. For historical material- ism it is a question of holding fast to a pic- ture of the past, just as if it had unexpect- edly thrust itself, in a moment of danger, on the historical subject. WALTER BENJAMIN, ON THE CONCEPT OF HISTORY (1940) Il faut opérer en partisan partout où il y a des partisans

“Making Sense or No Sense of Existence” The ‘Plot’ of Thomas Kinsella’s Late Poems in the Light of Norberto Bobbio’s De senectute DONATELLA ABBATE BADIN, UNIVERSITY OF TURIN Cyclicality has always characterized the poetry of Thomas Kinsella, one of the major Irish poets of the second half of the 20th century. It is not surprising then that in his more recent poetry, the poetry of Late Poems (2013), written in his seventies and eighties and initially published as pamphlets of his own Peppercanister Press,1 he should not only be taking up familiar

Actors, Challenges and Solutions
Eine Theorie der Kunst
Fallstudien zum volkssprachlichen Hexen- und Gespensterdiskurs in Spätmittelalter und Früher Neuzeit
Ethik und Ästhetik bei Christoph Schlingensief
Series: Theater, 121
Perspectives from the Social Sciences
Series: Science Studies