Flee(t)ing Dances! Initiatives for the Preservation and Communication of Intangible World Heritage in Museums ANETTE REIN Holistic, or so-called traditional worldviews are characterized in particular by how the material, everyday realm and the immaterial, spiritual realm are expe- rienced as inseparably intertwined, as two dimensions of one reality. In this sense, a dance performance – since it has its roots in both worlds – embodies a special type of medium, which allows these two dimensions to communicate (cf. Rein 2010).1 The task of
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