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the Global History of Art: Hale Woodruff’s The Art of the Negro Christian Kravagna 194 with similar issues since the early 20th century. This essay uses a major mid- 20th century artistic project, Hale Woodruff’s The Art of the Negro murals for the library of Clark Atlanta University in Atlanta, Georgia, to shed light on the history of art from a transcultural, if not global, point of view. The analysis of the African-American painter’s six-panel mural (1950 − 51) shows a unique programme that embeds modern art’s genealogies within the larger frame- work of

was the first to think of ›recognition‹ as a basic principle of personal identity, social order and global history. The article deals with a significant current de- bate about the meaning of the Haitian Revolution in Hegel’s philosophy. What, in He- gel’s work, is the meaning of the Revolution or the ›fight for recognition‹ led by Afri- can slaves in Saint-Domingue? What is the relationship between Hegel’s philosophy and globalization? It will be shown that, for systematic reasons, Hegel could neither ignore nor accept the Haitian Revolution. This ought to have

English Travellers in the Ottoman Empire and the South Pacific, 1636-1863
Series: Histoire, 186
Lokale Konstellationen und globale Perspektiven von der Frühen Neuzeit bis zur Gegenwart
Maritime Poetics
From Coast to Hinterland
Biografische Interventionen in die deutsche Geschichte
Kolonialismus, Globalisierung und die Implementierung der europäischen Zeitkultur in Senegal, 1880-1920
Subjektkonstruktionen von PalästinenserInnen in Deutschland und der Schweiz, 1960-2015
Series: Histoire, 174
Series: Histoire, 125