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Hybrid Animals and Hybridizing Representational Strategies in R. Bach’s Jonathan Livingston Seagull A Functional Grammatical Investigation DANIELA FRANCESCA VIRDIS HYBRIDITY IN JONATHAN LIVINGSTON SEAGULL: INTRODUCTION, METHODOLOGY AND OBJECTIVES In several genres and text-types in both popular culture and global media, more of- ten in those texts explicitly aimed at children, non-human animals (henceforth ani- mals) are linguistically, visually and discursively represented by human animals (henceforth humans) as anthropomorphized in their

Artistic Aspects of Interaction
About the Destruction and Multiplication of World
Zur Psychologie des Sitzens am Ort der Psychiatrie
Series: KörperKulturen
Zur Theorie und Praxis globalen Unterhaltungsfernsehens

Samoan »paradise« owes much to Rousseau and his notion of the »noble savage«. Hybridisation, he believes, leads to downfall and ruin. The paradise will lose its basis in community. It’s no surprise, that its antipode – society – finally appears as a Jew. Referring to this, he discusses a complex range of purity and hybridity, regarding topography, economy and humans (especially women). Ehlers focuses on four kinds of hybridisation: hybridisation on a social level, of the sexes, of the culture, of the economy. Der heute fast vergessene Weltreisende Otto Ehrenfried

Table of Contents Acknowledgements | 7 Introduction | 9 PART I: IMAGES Chapter 1 Breastfeeding Pero: Sign of Desire, Transgression, and Dionysian Excess (1525–50) | 37 Chapter 2 The Caravaggesque Moment: Roman Charity as Figure of Dissent | 103 Chapter 3 Poussin’s and Rubens’s Long Shadows: Roman Charity, French History Painting, and the Hybridization of Genres | 175 PART II: TEXTS AND CONTEXTS Chapter 4 The Literary Tradition: Erotic Insinuations, Irony, and Ekphrasis | 231 Chapter 5 Adult Breastfeeding as Cure: Queer Lactations in Medical Discourse

neuer und alter Medien« will Yvonne Spielmann nach wie vor festhalten, doch wo die alten intermedialen Konstellationen ›alte‹ Medienspezifi ka erhellen, reichen »die meisten Simulationen [oder digitalen Remediali- sierungen, B.O.] […] kaum weiter als die Manipulation intermedialer Rela- tionstypen«24 und tragen zur Spezifi k des Digitalmediums nichts bei. Bereits 2002 wollte Edmond Couchot das Konzept der Intermediali- tät verabschieden, um unter dem Begriff der »hybridization« den Schwer- punkt auf die technologische Referenz zu legen.25 Bis zu diesem Moment

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which he is a long-standing member, to manage this project; its aim was to complement Brauneck’s own studies in theatre history with an examination of structural changes to European theatre since the beginning of the 1990s. The context is a Europe experiencing change through the creation of the European Union, which has influenced international production, networking, digitalisation, project-based work and hybridisation of forms, as well as leading to the economisation of more and more areas of life and the commercialisation of the public sphere. The research

� � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 31 When Theater Director Collaborates with Computer Engineer Hybridizations and Methodological Shifts in the Masque et Avatar Interdisciplinary Project Izabella Pluta � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � � 49 Renegotiating Life Performances of Speculative Futures Mateusz Borowski