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3. New Media Let us return to the seminar on Kant. Reading Kant we claimed is not merely an exercise in textual interpretation, but is far more complex and bound up with many other activities that are best described as network- ing. The seminar is not limited to being an interaction between profes- sor, text, and students, but also includes, more or less explicitly, creating and maintaining associations with curricula, credit systems, colleagues, administrators, libraries, publishers, donors, alumni, faculties, and much more. When professors interpret Kant

DCS | Digital Culture and Society | Vol. 4, Issue 2 | © transcript 2019 DOI 10.14361/dcs-2018-0205 The New Media, the Youth and Renegotiation of Ethnic and Religious Identity in Nigeria Nelson Obinna Omenugha and Henry Chigozie Duru Abstract: Among others, the new media platforms are endowed with the capac- ity to reach wider targets of different demographic orientation; scat- tered at different geographical location. They also enable interaction between people; irrespective of location, religious divide and cultural inclination; ultimately for collaboration

New Media and Transformations in Knowledge (II) Kim H. Veltman New Media and Transformations in Knowledge (II) Meta-Data How is the enormity of this challenge to be dealt with in practice? It is generally assumed that meta-data offers a solution. The meta concept is not new. It played a central role in the meta-physics of Aristotle. In the past years with the rise of networked computing, meta has increasingly become a buzzword. There is much discus- sion of meta-data, meta-databases, and meta-data-dictionaries. 1 2There is a Metadata Coalition, Meta Council

New Media and Transformations in Knowledge (I) Kim H. Veltman New Media and Transformations in Knowledge (I) Introduction As media change so also do our concepts of what constitutes knowl- edge. This, in a sentence, is a fundamental insight that has emer- 1ged from research over the past sixty years. In the field of clas- sics, Eric Havelock (Havelock 1963), showed that introducing a written alphabet, shifting from an oral towards a written tradition, was much more than bringing in a new medium for recording knowledge. When claims are oral they vary from

4. The New Media Revolution and the Network Society We have followed ANT in defining human social order in terms of “technical mediation” instead of linguistic mediation and “interobjectivity” instead of intersubjectivity. These concepts emphasize the role that things, artifacts, and technologies play in constituting and sustaining human social order. They also emphasize the role things play in organizing and organizations. The work done in organization theory under the title of “communicative constitution of organizations,” as we saw in the

9 old media / new media – Das „System Peter Greenaway“ Vortrag, gehalten am 12. November 2009 in Weimar „I ain’t just interested in systems per se, I’m interested in the absurdity of systems.“ Peter Greenaway1 The absurdity of systems: Die „Absurdität der Systeme“ mag sicherlich mit Fug und Recht als Generalthema der Filme Peter Greenaways betrachtet werden – zumal wenn zum einen das Absurde, nach Camus, ja aus der „hoff- nungslosen Kluft“ zwischen der sinnbegehrlichen „Frage des Menschen“ und dem „vernunftlosen Schweigen der Welt“ entsteht2

ON IC M US IC M US IC TO N EW M ED IA A RT FR OM IN TE RA CT IV E LI VE EL EL EC TR ON IC M US IC T M US IC TO N EW FROM INTERACTIVE LIVE ELECTRO C MUSIC TO NEW MEDIA ART Jin Hyun Kim M IN TE RA CT IV E LI VE O NE W M ED IA A RT FR OM IN TE RA CT IV E IC TO N EW M ED IA A RT FR OM IN TE RA CT IV E C TO N EW M ED IA A RT FR OM IN TE RA CT IV E EW M ED IA A RT FR OM IN TE RA CT IV E LI VE IN TE RA CT IV E LI VE EL EC TR ON IC M US IC TO CT RO NI C M US IC TO N EW M ED IA A RT FR OM M ED IA A RT FR OM IN TE RA CT IV E LI VE EL EC TR

2 Manipulation der Medienkunst 53 illusionistischen Möglichkeiten von und mit Interfaces, aber auch der Simulation, Mimesis und der Repräsentation am Interface. 2.1 Eine haptisch interaktive Medienkunst zwischen participatory art, new media art und touching art Die Tautologie des Begriffs »Medienkunst« und die weite Fächerung der Berei- che, die unter »Medien« und »Kunst« eingeordnet werden können, zeigen sich in der Historie einer exakteren Namensgebung. Kacunko verweist dabei auf die noch genauer auszuführende, technikkonzentrierte Position von R.F. Malina und

RF AC E TE CH NO LO GY O F M ED IA TI ON IN NE W M ED IA A RT TR AN SP AR EN CY AN D OP AC IT Y: IN TE RF AC E TE CH NO LO GY O F M ED IA TI ON IN NE W M ED IA A RT TR AN SP AR EN CY AN D OP AC IT Y: IN TE RF AC E TE CH NO LO GY OF M ED IA TI ON IN NE W M ED IA A RT TR AN SP AR EN CY 45 Mediality of artistic computer-human interfaces In recent decades, computer-human interfaces (CHIs) have increasingly served as a technological condition for New Media Art and at the same time as an artistic subject. The design of experimental CHIs, with help of which