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A Performance Ethnography of Critical Practices

1 6 1P erfume is pervasive. And so is pop culture. However, perfume in particular and scent or odor in general still lead a miserable existence in pop theory and pop discourse. The smell of teen spirit has remained a metaphor. In this essay, I will attempt to outline how contemporary commercial perfumery serves as a supplement to the audiovisual world of pop music, enhancing and extending the desired images of pop musicians. The notion of performativity plays a crucial role in this connection. I will focus on mainstream pop music, notwithstanding that pop

in POP

1 Laboratory Case I: Moodymann and the study of pop music persona construction 1.1 UNVEILING THE CURTAIN: INQUIRIES INTO POP MUSIC PERSONA CONSTRUCTION Disclaimer: Moodymann used the practices described below until 2006/2007. My description nevertheless employs the form of the present tense. Cafe Moskau, Berlin, June 2006. Moodymann has been booked to deejay at the after show party of a fashion week showcase in Berlin’s Cafe Moskau nightclub sponsored by a well-known beer brand. Some in the audience (including myself) find this fashion and

Kultur und Kritik
Doing Pop, Doing Classical Music, Doing Mixed Genres
Transnational and Transdisciplinary Perspectives
Die Bedeutung der Neuen Musik für Free Jazz und Improvisationsmusik
Vergleichende Imageanalysen von Alfred Brendel, Stefanie Hertel und Robbie Williams
Zehn ethnografische Tracks zwischen Plattenladen und Streamingportal