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American, British and Canadian Studies Journal

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The Camouflage of the Sacred in the Short Fiction of Hemingway

Ali Zaid
  • State University of New York
Published Online: 2014-02-18 | DOI: https://doi.org/10.2478/abcsj-2013-0020


This essay examines the short fiction of Ernest Hemingway in the light of Mircea Eliade’s notion of the camouflage of the sacred and the larval survival of original spiritual meaning. A subterranean love pulsates beneath the terse dialogue of Hemingway’s characters whose inner life we glimpse only obliquely. In the short play (“Today Is Friday”) and four short stories (“The Killers,” “A Clean Well-Lighted Place,” “Old Man at the Bridge,” and “The Light of the World,” discussed here, light imagery, biblical allusions, and the figure of Christ, reveal a hidden imaginary universe. This sacral dimension has been largely overlooked by critics who dwell on the ostensible spiritual absence that characterizes Hemingway’s fiction.

Keywords : Ernest Hemingway; Mircea Eliade; short story; the sacred


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About the article

Published Online: 2014-02-18

Published in Print: 2014-01-01

Citation Information: American, British and Canadian Studies Journal, ISSN (Print) 1841-964X, DOI: https://doi.org/10.2478/abcsj-2013-0020. Export Citation

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