Jump to ContentJump to Main Navigation
Show Summary Details
More options …

arcadia

International Journal of Literary Culture / Internationale Zeitschrift für literarische Kultur

Ed. by Biti, Vladimir / Liska, Vivian


CiteScore 2018: 0.12

SCImago Journal Rank (SJR) 2018: 0.122
Source Normalized Impact per Paper (SNIP) 2018: 0.329

Online
ISSN
1613-0642
See all formats and pricing
More options …
Volume 38, Issue 2

Issues

The Return of the Dinosaurs: About Scientific Imagination and its Affects

Walter Moser
Published Online: 2008-02-27 | DOI: https://doi.org/10.1515/arca.38.2.243

Is it coincidence that in 1778 Buffon published his Les Époques de la Nature, Friedrich Schiller started writing his Die Räuber and Johann Heinrich Füssli started working on his drawing titled Der Künstler, verzweifelnd vor der Grösse der antiken Trümmer (The despairing artist, viewing the giant debris of antiquity)? What do these three very different works have in common? In a more or less nostalgic mood, they all evoke the energy and great size of a time past. For Buffon, the natural historian, it is gigantism of animal species, for Füssli the monumentalism of ancient works of art and for Schiller's Karl von Moor, the great feats of ancient heroes.

About the article

Published Online: 2008-02-27

Published in Print: 2003-10-14


Citation Information: Arcadia – International Journal for Literary Studies, Volume 38, Issue 2, Pages 243–247, ISSN (Online) 1613-0642, ISSN (Print) 0003-7982, DOI: https://doi.org/10.1515/arca.38.2.243.

Export Citation

Comments (0)

Please log in or register to comment.
Log in