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The European Journal of Communication Research

Ed. by Averbeck-Lietz, Stefanie / d'Haenens, Leen

IMPACT FACTOR 2018: 0.707
5-year IMPACT FACTOR: 1.151

CiteScore 2018: 0.86

SCImago Journal Rank (SJR) 2018: 0.460
Source Normalized Impact per Paper (SNIP) 2018: 0.580

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Volume 44, Issue 3


Editorial: Current trends in remaking European screen cultures

Eduard Cuelenaere
  • Corresponding author
  • Centre for Cinema and Media Studies Ghent University/University of Antwerp Department of Communication Studies Ghent Belgium
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/ Stijn Joye / Gertjan Willems
  • Visual Poetics/ViDi/CIMS University of Antwerp/Ghent University Departments of Literature and Communication Sciences Ghent Belgium
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Published Online: 2019-08-24 | DOI: https://doi.org/10.1515/commun-2019-2056


  • Corrigan, T. (2012). American cinema of the 2000 s. New Brunswick: Rutgers University Press.Google Scholar

  • Forrest, J. (2002). The “personal” touch: The original, the remake, and the dupe in early cinema. In J. Forrest & L. R. Koos (Eds.), Dead ringers: The remake in theory and practice (pp. 89–126). New York: SUNY Press.Google Scholar

  • Jenkins, H. (2006). Convergence culture: Where old and new media collide. New York: New York Press.Google Scholar

  • Verevis, C. (2017). New millennial remakes. In F. Kelleter (Ed.), Media of serial narrative (pp. 148–166). Ohio: The Ohio State University Press.Google Scholar

  • Willis, H. (2005). New digital cinema: Reinventing the moving image. London: Wallflower Press.Google Scholar

About the article

Published Online: 2019-08-24

Published in Print: 2019-09-25

Citation Information: Communications, Volume 44, Issue 3, Pages 257–261, ISSN (Online) 1613-4087, ISSN (Print) 0341-2059, DOI: https://doi.org/10.1515/commun-2019-2056.

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