Jump to ContentJump to Main Navigation
Show Summary Details
More options …

Open Cultural Studies

Editor-in-Chief: Miller, Toby

Open Access
Online
ISSN
2451-3474
See all formats and pricing
More options …

Notes on the Uses of Black Camp

Anna Pochmara / Justyna Wierzchowska
Published Online: 2017-12-29 | DOI: https://doi.org/10.1515/culture-2017-0064

References

  • Barnes, Sequoia. “‘If You Don’t Bring No Grits, Don’t Come’: Critiquing A Critique of Patrick Kelly, Golliwogs, and Camp as a Technique of Black Queer Expression.” Open Cultural Studies, vol. 1, 2017, pp. 678-689.Google Scholar

  • Carby, Hazel V. Reconstructing Womanhood: The Emergence of the Afro-American Woman Novelist. Oxford University Press, 1987.Google Scholar

  • Chatzipapatheodoridis, Constantine. “Beyoncé’s Slay Trick: The Performance of Black Camp and its Intersectional Politics.” Open Cultural Studies, vol. 1, 2017, pp. 406-416.Google Scholar

  • Cleto, Fabio, editor. Camp: Queer Aesthetics and the Performing Subject: A Reader. Edinburgh University Press, 1999.Google Scholar

  • Dexl, Carmen, Katrin Horn. “‘Beef Jerky in a Ball Gown’-The Camp Excesses of Titus Andromedon in Unbreakable Kimmy Schmidt.” Open Cultural Studies, vol. 1, 2017, pp. 442-453.Google Scholar

  • duCille, Ann. The Coupling Convention: Sex, Text, and Tradition in Black Women’s Fiction. Oxford University Press, 1993.Google Scholar

  • Fabi, Maria Giulia. Passing and the Rise of the African American Novel. University of Illinois Press, 2001.Google Scholar

  • Gates, Henry Louis. Figures in Black: Words, Signs, and the “Racial” Self. Oxford University Press, 1989.Google Scholar

  • Griffin, Tim. “Global Tendencies: Globalism and the Large-Scale Exhibition.” MutualArt, 2003. https://www.mutualart.com/Article/Global-tendencies--Globalism-and-the-lar/46473E246CC4E3A0. Accessed 25 Jan. 2018.Google Scholar

  • Hurston, Zora Neale. “The Characteristics of Negro Expression.” Sweat, edited by Cheryl Wall, Rutgers, 1997, pp. 55-71.Google Scholar

  • Hyacinthe, Genevieve. “Love is the Message: Barkley Hendricks’ MFSB Portrait Aesthetics.” Open Cultural Studies, vol. 1, 2017, pp. 604-627.Google Scholar

  • Hynes, Nancy. “Re-Dressing History.” African Arts, vol. 34, no. 3, 2001, pp. 60-65, pp. 93-95.CrossrefGoogle Scholar

  • Jarrett, Gene Andrew. Deans and Truants: Race and Realism in African American Literature. University of Pennsylvania Press, 2006.Google Scholar

  • McDowell, Deborah E. “The Changing Same”: Black Women’s Literature, Criticism, and Theory. Indiana University Press, 1995.Google Scholar

  • Miller, Monica L. Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity. Duke University Press, 2010.Google Scholar

  • Murray, Derek Conrad. Queering Post-Black Art: Artists Transforming African-American Identity after Civil Rights. I. B. Tauris, 2015.Google Scholar

  • Pochmara Anna, Justyna Wierzchowska. “Nobody Knows My Name: The Masquerade of Mourning in the Early 1980s Artistic Productions of Michael Jackson and Prince.” Open Cultural Studies, vol. 1, 2017, pp. 628-645.Google Scholar

  • Robertson, Pamela. “Mae West’s Maids: Race, ‘Authenticity’ and the Discourse of ‘Camp.’” Camp: Queer Aesthetics and the Performing Subject: A Reader, edited by Fabio Cleto, pp. 393-408.Google Scholar

  • Ross, Andrew. “The Gangsta and the Diva.” Black Male: Representations of Masculinity in Contemporary American Art, edited by Thelma Golden, Whitney Museum of Art, 1994, pp. 159-160.Google Scholar

  • Ross, Andrew. “Uses of Camp.” No Respect: Intellectuals and Popular Culture. Routledge, 1989, pp. 135-170.Google Scholar

  • Smith, David Lionel. “The Black Arts Movement and Its Critics.” American Literary History, vol. 3, no. 1, 1991, pp. 93-110, http://www.jstor.org/stable/489734.Google Scholar

  • Sontag, Susan. “Notes on ‘Camp.’” Camp: Queer Aesthetics and the Performing Subject: A Reader, edited by Fabio Cleto, pp.53-65.Google Scholar

  • Stephens, Brian. “Prissy’s Quittin’ Time: The Black Camp Aesthetic of Kara Walker.” Open Cultural Studies, vol. 1, 2017, pp.646-659.Google Scholar

  • Tate, Claudia. Domestic Allegories of Political Desire: The Black Heroine’s Text at the Turn of the Century. Oxford University Press, 1996.Google Scholar

  • Walker, Alice. In Search of Our Mothers’ Gardens: Prose. Harcourt, 1983.Google Scholar

  • Warren, Kenneth W. What Was African American Literature? Harvard University Press, 2012.Google Scholar

About the article

Published Online: 2017-12-29

Published in Print: 2017-12-20


Citation Information: Open Cultural Studies, Volume 1, Issue 1, Pages 696–700, ISSN (Online) 2451-3474, DOI: https://doi.org/10.1515/culture-2017-0064.

Export Citation

© 2018. This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. BY-NC-ND 4.0

Comments (0)

Please log in or register to comment.
Log in