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Open Cultural Studies

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The Futurism of Hip Hop: Space, Electro and Science Fiction in Rap

Adam de Paor-Evans
  • Principal Lecturer in Cultural Theory, Faculty of Culture and Creative Industries, University of Central Lancashire, Preston, UK
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Published Online: 2018-07-25 | DOI: https://doi.org/10.1515/culture-2018-0012


In the early 1980s, an important facet of hip hop culture developed a style of music known as electro-rap, much of which carries narratives linked to science fiction, fantasy and references to arcade games and comic books. The aim of this article is to build a critical inquiry into the cultural and sociopolitical presence of these ideas as drivers for the productions of electro-rap, and subsequently through artists from Newcleus to Strange U seeks to interrogate the value of science fiction from the 1980s to the 2000s, evaluating the validity of science fiction’s place in the future of hip hop. Theoretically underpinned by the emerging theories associated with Afrofuturism and Paul Virilio’s dromosphere and picnolepsy concepts, the article reconsiders time and spatial context as a palimpsest whereby the saturation of digitalisation becomes both accelerator and obstacle and proposes a thirdspace-dromology. In conclusion, the article repositions contemporary hip hop and unearths the realities of science fiction and closes by offering specific directions for both the future within and the future of hip hop culture and its potential impact on future society

Keywords: dromosphere; dromology; Afrofuturism; electro-rap; thirdspace; fantasy; Newcleus; Strange U


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About the article

Received: 2018-01-27

Accepted: 2018-06-02

Published Online: 2018-07-25

Citation Information: Open Cultural Studies, Volume 2, Issue 1, Pages 122–135, ISSN (Online) 2451-3474, DOI: https://doi.org/10.1515/culture-2018-0012.

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© 2018 Adam de Paor-Evans, published by De Gruyter. This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License. BY-NC-ND 4.0

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