Jump to ContentJump to Main Navigation
Show Summary Details
More options …

European Journal of Scandinavian Studies

Ed. by Böldl, Klaus / Rühling, Lutz / van der Liet, Henk


CiteScore 2017: 0.02

SCImago Journal Rank (SJR) 2017: 0.100
Source Normalized Impact per Paper (SNIP) 2017: 0.188

Online
ISSN
2191-9402
See all formats and pricing
More options …

Senklassicistisk omgang med tekster. Om åbenbare og skjulte citater i Jens Baggesens Labyrinten

Dr. Henrik Blicher
  • Institut for Nordiske Studier og Sprogvidenskab, Københavns Universitet, Njalsgade 120, Lokale 22.4.20, 2300 København S, Denmark
  • Email
  • Other articles by this author:
  • De Gruyter OnlineGoogle Scholar
Published Online: 2014-12-08 | DOI: https://doi.org/10.1515/ejss-2014-0016

Abstract

Within a classical context, citations from Antique authors often appear as signs of affinity, but without quotation marks. Danish playwright Ludvig Holberg is a case in point. The Romantic idea of originality puts an end to this kind of mutual borrowing. By thoroughly examining different, but more or less obvious and more or less hidden citations in Jens Baggesen’s sentimental travelogue Labyrinten (The Labyrinth, 1792–93) it is argued, that this late Eighteenth Century book wavers between addressing anonymous readers on a liberal market and even very particular friends, benefactors and patrons. In addition, it is demonstrated how Baggesen’s famous ascent of the Strasbourg Cathedral is a textual montage of extensive but hidden borrowings from a contemporary guidebook.

About the article

Published Online: 2014-12-08

Published in Print: 2014-12-01


Citation Information: European Journal of Scandinavian Studies, Volume 44, Issue 2, Pages 270–285, ISSN (Online) 2191-9402, ISSN (Print) 2191-9399, DOI: https://doi.org/10.1515/ejss-2014-0016.

Export Citation

© 2014 by Walter de Gruyter Berlin Boston.Get Permission

Comments (0)

Please log in or register to comment.
Log in