Philosophische Zeitschrift der Kant-Gesellschaft
Ed. by Baum, Manfred / Dörflinger, Bernd / Klemme, Heiner F.
SCImago Journal Rank (SJR) 2015: 0.162
Source Normalized Impact per Paper (SNIP) 2015: 1.061
Impact per Publication (IPP) 2015: 0.203
Musik und Zeit bei Kant
Citation Information: Kant-Studien. Volume 100, Issue 4, Pages 427–453, ISSN (Online) 1613-1134, ISSN (Print) 0022-8877, DOI: https://doi.org/10.1515/KANT.2009.023, January 2010
- Published Online:
There are two ways of dealing with Kant's derogatory position on music. Either it is claimed that Kant's opinion is a result of biographical factors, or Kant is regarded as a mere predecessor of a more successful music aesthetics. While the first way mistakes Kant's personal preferences for a philosophical argument about the nature of sound, the second approach underestimates the close connection between his music aesthetics and his whole philosophical system. Against these approaches the article defends the proposition that Kant's (like any other) music aesthetics can only be understood with reference to the concepts of „time“ and „movement“ in order to elucidate the ontology of sound objects.
Here you can find all Crossref-listed publications in which this article is cited. If you would like to receive automatic email messages as soon as this article is cited in other publications, simply activate the “Citation Alert” on the top of this page.