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Kant-Studien

Philosophische Zeitschrift der Kant-Gesellschaft

Ed. by Baum, Manfred / Dörflinger, Bernd / Klemme, Heiner F.

4 Issues per year


CiteScore 2016: 0.14

SCImago Journal Rank (SJR) 2016: 0.163
Source Normalized Impact per Paper (SNIP) 2016: 0.224

Online
ISSN
1613-1134
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Volume 100, Issue 4 (Jan 2009)

Issues

Musik und Zeit bei Kant

Susanne Herrmann-Sinai
  • Erfurt
Published Online: 2010-01-28 | DOI: https://doi.org/10.1515/KANT.2009.023

Abstract

There are two ways of dealing with Kant's derogatory position on music. Either it is claimed that Kant's opinion is a result of biographical factors, or Kant is regarded as a mere predecessor of a more successful music aesthetics. While the first way mistakes Kant's personal preferences for a philosophical argument about the nature of sound, the second approach underestimates the close connection between his music aesthetics and his whole philosophical system. Against these approaches the article defends the proposition that Kant's (like any other) music aesthetics can only be understood with reference to the concepts of „time“ and „movement“ in order to elucidate the ontology of sound objects.

Keywords:: affection; form; movement; music aesthetics; rhythm; sound; time; Augustinus; Carl Dahlhaus; G.W.F. Hegel; G.W. Leibniz; Hugo Riemann

About the article

Published Online: 2010-01-28

Published in Print: 2009-12-01


Citation Information: Kant-Studien, ISSN (Online) 1613-1134, ISSN (Print) 0022-8877, DOI: https://doi.org/10.1515/KANT.2009.023.

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