Jump to ContentJump to Main Navigation
Show Summary Details
More options …

Multicultural Shakespeare

Translation, Appropriation and Performance; The Journal of University of Lodz

Editor-in-Chief: Yoshiko, Kawachi / Kujawinska Courtney, Krystyna

2 Issues per year

Open Access
Online
ISSN
2300-7605
See all formats and pricing
More options …

Shakespeare on the Peking Opera Stage

Weimin Li
Published Online: 2013-12-31 | DOI: https://doi.org/10.2478/mstap-2013-0003
  • Brandon, James. “Kabuki and Shakespeare: Balancing Yin and Yang.” TDR 43.2 (1999): 15-53.Google Scholar

  • Eagleton, Terry. Literary Theory: An Introduction. Blackwell, 1983.Google Scholar

  • Kristeva, Julia. Desire in Language: A Semiotic Approach to Literature and Art. New York: Columbia University Press, 1980.Google Scholar

  • Lan, Fan. Comparative Drama: East and West. Shanghai: Xuelin Press, 1992.Google Scholar

  • Samoyault, Tiphaine. Intertextuality. Trans. Shao Wei. Tianjin: Tianjin People’s Press, 2003.Google Scholar

  • Shi, Yukun, “Xiangfuxiangcheng hunranyiti (Director’s Words on Peking Opera Prince in Revenge).” Web. 1 May 2011. <http://www.peking opera.sh.cn/detail>.Google Scholar

  • Zhu, Shenghao, trans. Shashibiya quanji (Complete Works of Shakespeare). Beijing: People’s Literature Press. 1st ed., 1978. 11 vols. Google Scholar

About the article

Published Online: 2013-12-31

Published in Print: 2013-12-01


Citation Information: Multicultural Shakespeare: Translation, Appropriation and Performance, ISSN (Print) 2083-8530, DOI: https://doi.org/10.2478/mstap-2013-0003.

Export Citation

This content is open access.

Comments (0)

Please log in or register to comment.
Log in