Jump to ContentJump to Main Navigation
Show Summary Details
More options …

Scientia Poetica

Jahrbuch für Geschichte der Literatur und Wissenschaften / Yearbook for the History of Literature, Humanities and Sciences

Ed. by Albrecht, Andrea / Danneberg, Lutz / Regn, Gerhard / Schmidt-Biggemann, Wilhelm / Vollhardt, Friedrich

Editorial Board: Mahlmann, Barbara / Epple, Moritz / Fick, Monika / Grafton, Anthony / Jaumann, Herbert / Klippel, Diethelm / Kühlmann, Wilhelm / Müller, Jan-Dirk / Nisbet, Hugh Barr / Proß, Wolfgang / Schönert, Jörg / Strohschneider, Peter

See all formats and pricing
More options …

Die Entschärfung der Entladung

Katharsis und ästhetische Lust in der psychologischen Ästhetik um 1900

Tobias Wilke
Published Online: 2013-12-18 | DOI: https://doi.org/10.1515/scipo.2013.17.1.76


This article investigates the way in which the psychological »turn« of late 19th- and early 20th-century German aesthetics plays out in a wide-ranging discussion - and redefinition - of the classic paradox of tragic joy. In contrast to the understanding of catharsis as affective »discharge «, which has been introduced by 19th-century philologist Jacob Bernays, the proponents of turn-of-the-century psychological aesthetics develop new typologies of tragic feelings designed to distinguish between »pathological « and genuinely aesthetic forms of pleasure. This separation - according to which tragic affects like pity and fear are to be reconceived as merely simulated states of consciousness (Scheingefühle) - serves to negotiate a tension that arises from the two-fold aspiration of aligning aesthetics with the methodological standards of empirical psychology while maintaining its discoursive specificity as an academic discipline in its own right.

About the article

Published Online: 2013-12-18

Published in Print: 2013-12-01

Citation Information: Scientia Poetica, Volume 17, Issue 1, Pages 76–100, ISSN (Online) 1868-9418, ISSN (Print) 1431-5041, DOI: https://doi.org/10.1515/scipo.2013.17.1.76.

Export Citation

© 2013 by Walter de Gruyter GmbH & Co..Get Permission

Comments (0)

Please log in or register to comment.
Log in