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Semiotica

Journal of the International Association for Semiotic Studies / Revue de l'Association Internationale de Sémiotique

Editor-in-Chief: Danesi, Marcel

6 Issues per year


IMPACT FACTOR 2017: 0.183
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CiteScore 2017: 0.23

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Source Normalized Impact per Paper (SNIP) 2017: 0.634

Agenzia Nazionale di Valutazione del Sistema Universitario e della Ricerca: Classe A

Online
ISSN
1613-3692
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Volume 2005, Issue 157

Issues

Semiotic systems of works of visual art: Signs, connotations, signals

Georgij Yu. Somov
Published Online: 2005-10-13 | DOI: https://doi.org/10.1515/semi.2005.2005.157.1-4.1

Abstract

The analysis of works of visual art illustrates typical groups of elements and interrelations, which form semiotic systems of these works. Specific systems of connotations and their relations with semantic structures, paradigmatics, and typical signal structures are described. Like in linguistic texts, different levels are formed in complex images. The following basic level types are distinguished: sems and other units of semantic level; signs subdivided into: icons of represented objects and connotative sign formations; representamens of basic signs as interpreted by Charles Peirce, including those of connotations, and signals referred to as basic perceptive integer units forming an individual level.

About the article

Published Online: 2005-10-13

Published in Print: 2005-10-18


Citation Information: Semiotica, Volume 2005, Issue 157, Pages 1–34, ISSN (Online) 1613-3692, ISSN (Print) 0037-1998, DOI: https://doi.org/10.1515/semi.2005.2005.157.1-4.1.

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[1]
Georgij Yu Somov
Semiotica, 2007, Volume 2007, Number 167

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