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Semiotica

Journal of the International Association for Semiotic Studies / Revue de l'Association Internationale de Sémiotique

Editor-in-Chief: Danesi, Marcel

6 Issues per year


SCImago Journal Rank (SJR) 2015: 0.275
Source Normalized Impact per Paper (SNIP) 2015: 0.661
Impact per Publication (IPP) 2015: 0.191

Online
ISSN
1613-3692
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Volume 2009, Issue 174 (Jan 2009)

Issues

Metonymy and its manifestation in visual artworks: Case study of late paintings by Bruegel the Elder

Georgij Yu. Somov
Published Online: 2009-04-02 | DOI: https://doi.org/10.1515/semi.2009.037

Abstract

Being the object of semiotic studies, metonymy demands investigation in the non-verbal domain, i.e., visual sign systems. When analyzing the metonymies of visual artworks, they prove to have different sources: verbal and visual sources refer to codes, languages, contexts, and sign forms of a work (denotations, connotations, and organizing sign structures). Different particular metonymies promote incarnation of a general metonymy of work. In the work structure (or coding), particular metonymies are joined and organized on the basis of this general metonymy. The metonymies interrelated in a complex way on the basis of general metonymy are revealed in the course of semiotic analysis of the paintings by Bruegel the Elder. The sign structures of his works underlie the philosophic generalizations of the great painter and philosopher.

Keywords:: semiotics; metonymy; connotation; organizing form; structures; sign systems; metaphor; Bruegel the Elder

About the article

Published Online: 2009-04-02

Published in Print: 2009-04-01


Citation Information: Semiotica, ISSN (Online) 1613-3692, ISSN (Print) 0037-1998, DOI: https://doi.org/10.1515/semi.2009.037. Export Citation

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