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Semiotica

Journal of the International Association for Semiotic Studies / Revue de l'Association Internationale de Sémiotique

Editor-in-Chief: Danesi, Marcel


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Source Normalized Impact per Paper (SNIP) 2017: 0.634

Agenzia Nazionale di Valutazione del Sistema Universitario e della Ricerca: Classe A

Online
ISSN
1613-3692
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Volume 2009, Issue 174

Issues

Comments concerning the artist in a Peircean perspective

Bent Sørensen
Published Online: 2009-04-02 | DOI: https://doi.org/10.1515/semi.2009.038

Abstract

According to C. S. Peirce, aesthetics has nothing to do with the fine arts. Peirce never fully developed an aesthetic theory and he only put forth very sparse remarks concerning the artist and his work. In the following article, however, we will tentatively relate the artist and his activities to a part of Peirce's aesthetics. We will do this by identifying some consequences from Peirce's concept of the aesthetic ideal, the objectively admirable, and throughout the article, we will lean on Peirce's few remarks concerning the artist and the work of art.

Keywords:: C. S. Peirce; the aesthetic ideal; contribution to the growth in concrete reasonableness; the artist; the work of art

About the article

Published Online: 2009-04-02

Published in Print: 2009-04-01


Citation Information: Semiotica, Volume 2009, Issue 174, Pages 367–376, ISSN (Online) 1613-3692, ISSN (Print) 0037-1998, DOI: https://doi.org/10.1515/semi.2009.038.

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