Abstract
Post-Greimassian semiotics has worked toward a return to phenomenology, with the aim of studying the sensorial dimension and the body. Most of this research, however, has all but forgotten Greimas’s last book, De imperfection (1987), in which he proposes an original version of Merleau-Ponty’s philosophy with the notion of the aesthetic grasp. I propose to reconsider this almost abandoned notion, both from a theoretical point of view (a new version of the catharsis of philosophical aesthetics) and from the vantage of textual descriptions (the short story “The Naked Bosom” by Italo Calvino and the movie Ratatouille).
Résumé
La sémiotique post-greimassienne a beaucoup travaillé sur un retour à la phénoménologie, avec le but de sémiotiser la dimension de la sensorialité et du corps. La plupart de ce travail, pourtant, a presque oublié le dernier livre de Greimas (De l’imperfection, 1987), où il avait proposé une version originale de la philosophie merleau-pontienne à partir de la notion de saisie esthétique. Je me propose de réexaminer cette notion presque abandonnée, et d’un point de vue théorique (nouvelle version de la catharsis de l’esthétique philosophique), et en la montrant en acte dans quelques textes (le récit littéraire « Le sein nu » de I. Calvino; le film d’animation Ratatouille).
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