Beran, Carol (1999). “The Luxury of Excellence: Alice Munro in the New Yorker.” Robert Thacker, ed. The Rest of the Story: Critical Essays on Alice Munro. Toronto: ECW Press, 204–232.Google Scholar

Berndt, Kathrin (2010). “The Ordinary Terrors of Survival: Alice Munro and the Canadian Gothic.” Journal of the Short Story in English 55. Special issue on “The Short Stories of Alice Munro,” guest ed. Héliane Ventura, 19–33.Google Scholar

CBC News (2013). “Alice Munro is 1st Canadian Woman to Win Nobel Literature Prize.” CBC News (October 10). <http://www.cbc.ca/news/arts/alice-munro-is-1st-canadian-woman-to-win-nobel-literature-prize-1.1958383> (15. Oktober 2014).

CTV News (2013). “Alice Munro wins Nobel Prize in Literature.” CTV News (October 10). <http://www.ctvnews.ca/entertainment/alice-munro-wins-nobel-prize-in-literature-a-master-of-the-short-story-1.1491581> (15. Oktober 2014).

Gibson, Graeme (1973). “Alice Munro.” Eleven Canadian Novelists. Toronto: Anansi, 237–264.Google Scholar

Hancock, Geoff (1987). “Alice Munro.” Canadian Writers at Work: Interviews with Geoff Hancock. Toronto: Oxford University Press, 187–224.Google Scholar

Howells, Coral Ann (1990). “Alice Munro’s Art of Indeterminacy: The Progress of Love.” Reingard M. Nischik and Barbara Korte, eds. Modes of Narrative: Approaches to American, Canadian and British Fiction. Würzburg: Königshausen & Neumann, 141–152.Google Scholar

Howells, Coral Ann (2003). “Intimate Dislocations: Alice Munro, Hateship, Friendship, Courtship, Loveship, Marriage.” Contemporary Canadian Women’s Fiction: Refiguring Identities. New York: Palgrave Macmillan, 58–73.Google Scholar

McGrath, Charles (2013). “Alice Munro Puts Down Her Pen to Let the World In.” The New York Times. July 1.Google Scholar

Menasse, Eva (2013). “So leicht, als wäre es nichts: Die Erzählungen der Literaturnobelpreisträgerin Alice Munro haben eine Form, die Schriftsteller bewundern.” Die Zeit, Nr. 43. October 17.Google Scholar

Munro, Alice (1960). “The Peace of Utrecht.” The Tamarack Review 15 (Spring 1960), 5–21. repr. in Munro (1968). Dance of the Happy Shades, 190–210.Google Scholar

Munro, Alice (1962). “The Office.” The Montrealer (September), 18–23. repr. in Munro (1968). Dance of the Happy Shades, 59–74.Google Scholar

Munro, Alice (1964). “Boys and Girls.” The Montrealer (December), 25–34. repr. in Munro (1968). Dance of the Happy Shades, 111–127.Google Scholar

Munro, Alice (1968a). Dance of the Happy Shades. Toronto: McGraw-Hill Ryerson.Google Scholar

Munro, Alice (1968b). “Walker Brothers Cowboy.” Dance of the Happy Shades, 1–18.Google Scholar

Munro, Alice (1971a). Lives of Girls and Women. Harmondsworth: Penguin, 1982.Google Scholar

Munro, Alice (1971b). “Epilogue: The Photographer.” Lives of Girls and Women, 239–250.Google Scholar

Munro, Alice (1974a). Something I’ve Been Meaning to Tell You. Scarborough, ON: Signet, 1975.Google Scholar

Munro, Alice (1974b). “The Ottawa Valley.” Something I’ve Been Meaning to Tell You, 182–197.Google Scholar

Munro, Alice (1978a). Who Do You Think You Are? Toronto: Macmillan (später auch erschienen unter dem Titel The Beggar Maid (1979), s.u.).Google Scholar

Munro, Alice (1978b). “Simon’s Luck.” Munro (1979). Who Do You Think You Are? / Munro (1979). The Beggar Maid: Stories of Flo and Rose, 156–177.Google Scholar

Munro, Alice (1979). The Beggar Maid: Stories of Flo and Rose. Harmondsworth: Penguin, 1980. (vorher auch erschienen unter dem Titel Who Do You Think You Are? (1978), s.o.).Google Scholar

Munro, Alice (1980). “Dulse.” The New Yorker. July 21, 30–39. repr. in Munro (1982). The Moons of Jupiter, 36–59.Google Scholar

Munro, Alice (1982). The Moons of Jupiter. Toronto: Macmillan of Canada.Google Scholar

Munro, Alice (1985). “Lichen.” The New Yorker. July 15, 26–36. repr. in Munro (1986). The Progress of Love, 32–55.Google Scholar

Munro, Alice (1986). The Progress of Love. Toronto: McClelland and Stewart.Google Scholar

Munro, Alice (1990a). Friend of My Youth. Toronto: McClelland and Stewart.Google Scholar

Munro, Alice (1990b). “Friend of My Youth.” The New Yorker. January 22, 36–48. repr. in Munro (1990). Friend of My Youth, 3–26.Google Scholar

Munro, Alice (1998). The Love of a Good Woman. Toronto: McClelland and Stewart.Google Scholar

Munro, Alice (2004). Runaway. Toronto: McClelland and Stewart.Google Scholar

Munro, Alice (2007). “Fiction.” Harper’s Magazine. August. repr. in Munro (2009). Too Much Happiness, 32–61.Google Scholar

Munro, Alice (2009). Too Much Happiness. Toronto: McClelland and Stewart.Google Scholar

Munro, Alice (2011). “Dear Life: A Childhood Visitation.” The New Yorker. September 19. repr. as “Dear Life” in Munro (2012). Dear Life, 299–319.Google Scholar

Munro, Alice (2012). Dear Life. London: Chatto & Windus.Google Scholar

Nischik, Reingard M. (1987). “The Short Story in Canada: Metcalf and Others Making It New.” Die Neueren Sprachen 86: 3/4, 232–246.Google Scholar

Nischik, Reingard M. (2007a). “The Canadian Short Story: Status, Criticism, Historical Survey.” Reingard M. Nischik, ed. The Canadian Short Story: Interpretations. Rochester, NY: Camden House, 1–39.Google Scholar

Nischik, Reingard M. (2007b). “(Un-)Doing Gender: Alice Munro, ‘Boys and Girls’ (1964).” Reingard M. Nischik, ed. The Canadian Short Story: Interpretations. Rochester, NY: Camden House, 203–218.Google Scholar

Resnick, Mike (2012). Resnick on the Loose. Rockville, MD: Wildside Press.Google Scholar

Struthers, J.R. (Tim) (1981). “The Real Material: An Interview with Alice Munro.” repr. in Probable Fictions: Alice Munro’s Narrative Acts. Louis K. Mackendrick (1983), ed. Downsview, ON: ECW Press, 5–36.Google Scholar