Notes on the Uses of Black Camp

Anna Pochmara 1  and Justyna Wierzchowska 1
  • 1 University of Warsaw , , Warsaw, Poland

If the inline PDF is not rendering correctly, you can download the PDF file here.

  • Barnes, Sequoia. “‘If You Don’t Bring No Grits, Don’t Come’: Critiquing A Critique of Patrick Kelly, Golliwogs, and Camp as a Technique of Black Queer Expression.” Open Cultural Studies, vol. 1, 2017, pp. 678-689.

  • Carby, Hazel V. Reconstructing Womanhood: The Emergence of the Afro-American Woman Novelist. Oxford University Press, 1987.

  • Chatzipapatheodoridis, Constantine. “Beyoncé’s Slay Trick: The Performance of Black Camp and its Intersectional Politics.” Open Cultural Studies, vol. 1, 2017, pp. 406-416.

  • Cleto, Fabio, editor. Camp: Queer Aesthetics and the Performing Subject: A Reader. Edinburgh University Press, 1999.

  • Dexl, Carmen, Katrin Horn. “‘Beef Jerky in a Ball Gown’-The Camp Excesses of Titus Andromedon in Unbreakable Kimmy Schmidt.” Open Cultural Studies, vol. 1, 2017, pp. 442-453.

  • duCille, Ann. The Coupling Convention: Sex, Text, and Tradition in Black Women’s Fiction. Oxford University Press, 1993.

  • Fabi, Maria Giulia. Passing and the Rise of the African American Novel. University of Illinois Press, 2001.

  • Gates, Henry Louis. Figures in Black: Words, Signs, and the “Racial” Self. Oxford University Press, 1989.

  • Griffin, Tim. “Global Tendencies: Globalism and the Large-Scale Exhibition.” MutualArt, 2003. https://www.mutualart.com/Article/Global-tendencies--Globalism-and-the-lar/46473E246CC4E3A0. Accessed 25 Jan. 2018.

  • Hurston, Zora Neale. “The Characteristics of Negro Expression.” Sweat, edited by Cheryl Wall, Rutgers, 1997, pp. 55-71.

  • Hyacinthe, Genevieve. “Love is the Message: Barkley Hendricks’ MFSB Portrait Aesthetics.” Open Cultural Studies, vol. 1, 2017, pp. 604-627.

  • Hynes, Nancy. “Re-Dressing History.” African Arts, vol. 34, no. 3, 2001, pp. 60-65, pp. 93-95.

  • Jarrett, Gene Andrew. Deans and Truants: Race and Realism in African American Literature. University of Pennsylvania Press, 2006.

  • McDowell, Deborah E. “The Changing Same”: Black Women’s Literature, Criticism, and Theory. Indiana University Press, 1995.

  • Miller, Monica L. Slaves to Fashion: Black Dandyism and the Styling of Black Diasporic Identity. Duke University Press, 2010.

  • Murray, Derek Conrad. Queering Post-Black Art: Artists Transforming African-American Identity after Civil Rights. I. B. Tauris, 2015.

  • Pochmara Anna, Justyna Wierzchowska. “Nobody Knows My Name: The Masquerade of Mourning in the Early 1980s Artistic Productions of Michael Jackson and Prince.” Open Cultural Studies, vol. 1, 2017, pp. 628-645.

  • Robertson, Pamela. “Mae West’s Maids: Race, ‘Authenticity’ and the Discourse of ‘Camp.’” Camp: Queer Aesthetics and the Performing Subject: A Reader, edited by Fabio Cleto, pp. 393-408.

  • Ross, Andrew. “The Gangsta and the Diva.” Black Male: Representations of Masculinity in Contemporary American Art, edited by Thelma Golden, Whitney Museum of Art, 1994, pp. 159-160.

  • Ross, Andrew. “Uses of Camp.” No Respect: Intellectuals and Popular Culture. Routledge, 1989, pp. 135-170.

  • Smith, David Lionel. “The Black Arts Movement and Its Critics.” American Literary History, vol. 3, no. 1, 1991, pp. 93-110, http://www.jstor.org/stable/489734.

  • Sontag, Susan. “Notes on ‘Camp.’” Camp: Queer Aesthetics and the Performing Subject: A Reader, edited by Fabio Cleto, pp.53-65.

  • Stephens, Brian. “Prissy’s Quittin’ Time: The Black Camp Aesthetic of Kara Walker.” Open Cultural Studies, vol. 1, 2017, pp.646-659.

  • Tate, Claudia. Domestic Allegories of Political Desire: The Black Heroine’s Text at the Turn of the Century. Oxford University Press, 1996.

  • Walker, Alice. In Search of Our Mothers’ Gardens: Prose. Harcourt, 1983.

  • Warren, Kenneth W. What Was African American Literature? Harvard University Press, 2012.

OPEN ACCESS

Journal + Issues

Open Cultural Studies is a peer-reviewed journal exploring the fields of Humanities, Social Sciences and Arts. It interprets culture in an inclusive sense and promotes new research perspectives in cultural studies. The journal aims to enhance international collaboration among scholars from the Global North and the Global South and help early-career researchers. It is also committed to increasing public access to scholarship on cultural studies.

Search