Sidonius Apollinaris and Horace, Ars poetica 14–23

  • 1 Department of Classics, The University of Edinburgh, 1M.10 William Robertson Wing, Old Medical School, Teviot Place, Edinburgh, EH8 9AG, UKUnited Kingdom of Great Britain and Northern Ireland
Aaron Pelttari


Sidonius knew and understood the beginning of Horace’s influential Ars poetica, the passage in which Horace pronounced in favour of artistic unity. Instead of following Horace’s advice, Sidonius opted for variety in Poem 22 and Letters Book 9. Even though he ignored the advice, Sidonius at the end of both texts invoked Horace’s authority from the Ars poetica. Sidonius even claimed to have written exactly as Horace said he should. A century before, Ausonius had translated Horace in a way that the source had specifically criticised. Both Sidonius and Ausonius engaged Horace’s authoritative text in order to negotiate their debt toward and place within Latin literature. Further study could describe the variety of ways in which late antique poets received and transformed their Classical inheritance.

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Philologus is one of the oldest and most respected periodicals in the field of Classical Studies. It publishes articles on Greek and Latin literature, historiography, philosophy, history of religion, linguistics, reception, and the history of scholarship. The journal aims to contribute to our understanding of Greco-Roman culture and its lasting influence on European civilization.