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Skwirblies, Robert

Altitalienische Malerei als preußisches Kulturgut

Gemäldesammlungen, Kunsthandel und Museumspolitik 1797-1830

[Old Italian Paintings as Prussian Cultural Heritage: Art Collections, Art Dealing, and Museum Politics, 1797–1830]

Series:Ars et Scientia 13

    89,95 € / $126.00 / £82.00*

    eBook (PDF)
    Publication Date:
    December 2016
    Copyright year:
    2017
    ISBN
    978-3-11-043052-3
    See all formats and pricing
    eBook (PDF)
    ISBN 978-3-11-043052-3
    List price
    € [D] 89.95*
    RRP
    US$ 126.00 / GBP 82.00*
    eBook (EPUB)
    ISBN 978-3-11-043071-4
    List price
    € [D] 89.95*
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    US$ 126.00 / GBP 82.00*
    Hardcover
    ISBN 978-3-11-043940-3
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    € [D] 89.95*
    RRP
    US$ 126.00 / GBP 82.00*
    *Prices in US$ apply to orders placed in the Americas only. Prices in GBP apply to orders placed in Great Britain only. Prices in € represent the retail prices valid in Germany (unless otherwise indicated). Prices are subject to change without notice. Prices do not include postage and handling if applicable. Free shipping for non-business customers when ordering books at De Gruyter Online. Please find details to our shipping fees here. RRP: Recommended Retail Price.

    Overview

    Aims and Scope

    At the start of the 19th century, interest in pre- and early Renaissance Italian painting grew throughout Europe, especially in Prussia. Hundreds of paintings arrived in Berlin within only a few years. The study documents and identifies these acquired paintings in detail based on newly discovered sources. It uncovers a remarkable network of European collectors, dealers, museums, and politicians.

    Details

    viii, 827 pages
    100 Fig.
    Language:
    German
    Type of Publication:
    Monograph
    Keyword(s):
    Readership:
    Art historians, cultural scholars, historians, museologists

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    Reviews

    "Robert Skwirblies entwickelt in seiner preisgekrönten Doktorarbeit ausgehend von einem intensiven Quellenstudium ein facettenreiches Bild jenes umfangreichen Kunsttransfers, seiner historischen Hintergründe wie der zeitgenössischen Akteure zwischen 1797 und 1830 und erläutert seine Konsequenzen für Gemäldesammlungen und Museumspolitik."
    Arsprototo 4/2017, 64

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