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Wahrnehmen, Speichern, Erinnern

Memoriale Praktiken und Theorien in den Bildkünsten, 1650 bis 1850

[Perceiving, Preserving, and Remembering: Commemorative Practices and Theories in the Visual Arts, 1650 to 1850]

Ed. by Volmert, Miriam / Gockel, Bettina

    69,95 € / $80.99 / £57.99*

    Hardcover
    To be published:
    December 2017
    ISBN
    978-3-11-044072-0
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    Overview

    Aims and Scope

    Current developments in the digital organization of knowledge give rise to an in-depth study in the humanities of the history of the cultural practice of capturing and storing information.

    This interdisciplinary anthology discusses current research issues on historical theories and practices of information processing in art history research. Using examples from the period between the end of the 17th century and the early 19th century, the contributions investigate how in Europe new ideas of storing knowledge and processing data were reflected in the fine arts and arts theory during this critical period of competing methods of capturing information.

    Details

    24.0 x 17.0 cm
    352 pages
    Language:
    German, English
    Type of Publication:
    Collection
    Readership:
    Art and cultural scholars, historians, philosophers

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    Bettina Gockel and Miriam Volmert, Institute of Art History, Zurich.

    More by Volmert, Miriam:

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