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Markt und Macht

Der Kunsthandel im »Dritten Reich«

Ed. by Fleckner, Uwe / Gaehtgens, Thomas W. / Huemer, Christian

Series:Schriften der Forschungsstelle "Entartete Kunst" 12

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    eBook (PDF)
    Publication Date:
    September 2017
    Copyright year:
    2017
    ISBN
    978-3-11-054930-0
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    Overview

    • Investigation into the art history and economic history

    • Cooperation between the Forschungsstelle "Entartete Kunst", Hamburg, and the Getty Research Institute, Los Angeles

    Aims and Scope

    Writing a history of art dealing in the Third Reich presents a special challenge, not only because of the difficult situation regarding source material. The actors’ activities are enmeshed in outrageous contradictions involving complicity and sabotage. The range of issues includes the day-to-day business of art dealers through to the resistance to restrictive regulations, from auction trade through to black market, from numerous crimes involving not only Jewish collectors and dealers, through to art theft in countries occupied by German forces.

    In this book, art historians and economic historians investigate the art market and its mechanisms under National Socialism, the role of art theft and, in particular, that of modern and "degenerate" works of art in the art market.

    Details

    xvi, 434 pages
    Language:
    German, English
    Type of Publication:
    Collection
    Keyword(s):

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    Uwe Fleckner, University of Hamburg; Thomas W. Gaehtgens and Christian Huemer, Getty Research Institute, Los Angeles.

    Reviews

    "Der großzügig bebilderte Band [...] bietet Einblicke in das vielfältige Forschungsfeld zum Kunstmarkt im "Dritten Reich" [...] Im Abrücken vom deutschen Blick auf den Komplex "Kunst 1933-1945" hin zu einem Panorama internationaler Reaktionen, die das NS-Regime in der Kunstwelt und auf dem internationalen Markt auslöste, liegt die Stärke dieses Sammelbandes. Dass die Herausgeber auch interdisziplinäre Ansätze berücksichtigt haben, weitet den Blick zudem."
    Theresa Sepp in: Kunstchronik 71. Jahrgang, Heft 5, Mai 2018, S. 250-256

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