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A masterful historiography of the discipline, from 1100 to the 1960s.

Wood, Christopher

A History of Art History

PRINCETON UNIVERSITY PRESS

    57,95 € / $65.75 / £51.00*

    eBook (PDF)
    Publication Date:
    2019
    Copyright year:
    2019
    To be published:
    September 2019
    ISBN
    978-0-691-19431-8
    See all formats and pricing

    Overview

    Aims and Scope

    An authoritative history of art history from its medieval origins to its modern predicaments

    In this wide-ranging and authoritative book, the first of its kind in English, Christopher Wood tracks the evolution of the historical study of art from the late middle ages through the rise of the modern scholarly discipline of art history. Synthesizing and assessing a vast array of writings, episodes, and personalities, this original and accessible account of the development of art-historical thinking will appeal to readers both inside and outside the discipline.

    The book shows that the pioneering chroniclers of the Italian Renaissance—Lorenzo Ghiberti and Giorgio Vasari—measured every epoch against fixed standards of quality. Only in the Romantic era did art historians discover the virtues of medieval art, anticipating the relativism of the later nineteenth century, when art history learned to admire the art of all societies and to value every work as an index of its times. The major art historians of the modern era, however—Jacob Burckhardt, Aby Warburg, Heinrich Wölfflin, Erwin Panofsky, Meyer Schapiro, and Ernst Gombrich—struggled to adapt their work to the rupture of artistic modernism, leading to the current predicaments of the discipline.

    Combining erudition with clarity, this book makes a landmark contribution to the understanding of art history.

    Details

    464 pages
    24 b/w illus.
    PRINCETON UNIVERSITY PRESS
    Language:
    English
    Readership:
    General/trade;

    More ...

    Christopher S. Wood is a professor at New York University. He is the author of Forgery, Replica, Fiction: Temporalities of German Renaissance Art and Albrecht Altdorfer and the Origins of Landscape, the coauthor of Anachronic Renaissance, and the editor of The Vienna School Reader: Politics and Art Historical Method in the 1930s.

    Reviews

    "A tour de force. I can't think of another book that even comes close to this one in the way it encourages art historians to understand their own disciplinary history."—Michael Ann Holly, author of The Melancholy Art

    "In this exemplary and engaging book, Christopher Wood offers a bird's-eye perspective on the history of art history that few scholars could match."—Whitney Davis, author of Visuality and Virtuality

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