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This study, for the first time, systematically analyzes the function and meaning of so-called textile pages in book illustration of the tenth and eleventh centuries. The ornamented pages of gospels and liturgical books evoke Byzantine and Islamic silk fabrics that serve as conveyors of various theological arguments. The textile iconography of the book pages visualizes textile metaphors that relate to core subjects of Christian theology such as incarnation and script as a medium of revelation. In addition, references to Medieval exegesis, liturgy, and devotion are characteristic of this contemplative instrument of religious culture.
In this context, the materiality of the book - through textile ornament as a part of the book body - plays an important role.
After his death, Che Guevara became an idol and was even compared to Jesus Christ. Many images, poems, plays, and films bear witness to this remarkable process, which made studious use of Christian iconography. In this way, Che Guevara became a Christ figure for our times. In order to explain their real affinity, the author examines Jesus as a historical figure and illuminates parallels with Che.